I was recently invited over to Wendy Van Camp’s writing blog- Nowastedink, to share an article on writing. As I have been comtemplating writing my next book (now in very rough draft) in Epistolary writing style, I thought that would be the perfect topic to write about.
Hi Wendy, thanks so much for inviting me over again to your blog. Today I want to talk about writing in Epistolary style. What is epistolary writing? As a nonfiction/memoir writer I’ve been exploring this form of writing for a book I’ve been drafting about grief. I am seriously considering presenting the book in this form.
Epistolary writing is a style that addresses the reader through a diary format (think Bridget Jones’ Diary) or in journal or letter format. In this era of digital life, epistolary writing can also include email and blog post entries, police reports, newspaper articles and transcripts. This style involves the writer speaking directly to another person, expressing the bond in a particular relationship through the content being written, which gives the reader an intimate peek into the writer’s private self and thoughts regarding the person she is writing to, and an inside scoop into that relationship between the writer and the character being spoken to. Journal and diary entries are more contemplative writings, but there is also the method of writing strictly in dialogue. Epistolary writing is in essence writing dialogue from one’s self. It is important that the writer let the reader know to whom they are writing to. Epistolary stories can involve one or more characters the writing conversation is being directed toward.
Often, in this form of writing, the focus is more on evoking emotion, more so than a dialogue driven story. Epistolary writing is also classified as a sort of confessional-like writing, also known as monophonic point of view, letters to one specific character. It is referred as ‘dialogic’ if two people are writing letters, or, ‘polyphonic’ with three or more characters writing and receiving the letters. It is ultimately, a first-person point of view that allows the reader to get inside the writer’s thoughts. It’s a correspondence between characters or to a character. This form is a different take from third person POV where the usual plots and characters are the driving force of the storyline. Instead, the reader gets to understand the character’s interactions through what is implied by the writer.
The word -Epistolary, is derived from the noun – Epistle, which is the Greek word meaning ‘letter’. This is an actual literary genre that pertains to letters written for delivering story through personal messages from the writer to her subject(s). This format can be used as context for a relationship, friendship or even a business relationship between the writer and receiver.
Because this method of writing is a person telling, it can be written in multiple tenses. For example, the writer might go back in time with an entry and bring it up to present to invite in some tension. In most stories in other points of view writing, they are written in the classic, ‘show more, tell less’. This could be challenging to write in epistolary form because there is no narrator building a scene. But description that paints a picture to the reader can still be done. The more ‘real’ a story feels to the reader, the more they will engage in the emotion. Epistolary stories can be written in both fiction or nonfiction. . . Please continue reading at Nowastedink
Welcome to my June Q & A. Today I’m happy to be featuring author Wendy Van Camp who writes Sci-Fi, speculative fiction, and offers up a weekly ‘Writers Links’ information post for writers with some great collaborated shares on her blog at Nowastedink. Wendy recently released her newest book where she is the editor and contributor to the anthology – Eccentric Orbits – Book 3 in the collection of anthologies of science fiction poetry – Scifaiku, and today we’re going to get to know a little about her.
Wendy Van Camp is the Poet Laureate for the City of Anaheim, California. Her work is influenced by cutting edge technology, astronomy, and daydreams. A graduate of the Ad Astra Speculative Fiction Workshop, Wendy has won Honorable Mention at the Writers of the Future Contest, is a twice nominated finalist for the Elgin Award, and has been nominated for a Pushcart Prize and Dwarf Stars Award. Her poems have appeared in: “Starlight Scifaiku Review”, “Quantum Visions”, “The Junction”, and “Far Horizons”. She is the poet and illustrator of “The Planets: a scifaiku poetry collection” and editor of the annual “Eccentric Orbits: An Anthology of Science Fiction Poetry” by Dimensionfold Publishing.
The function of speculative poetry is to engage the mind to a new understanding, not rehearse the past or the ordinary. This anthology of science fiction, fantasy, and horror poetry explores new concepts, folklore, myth, and the fantastic, by some of the most exciting, speculative poets of our time. Discover the insights of these contemporary wordsmiths that are surging from the pages of science fiction into the reality of our world.
This speculative poetry anthology is perfect as a gift for poetry lovers, readers of science fiction, fantasy, or horror literature or to complete your own book collections.
Speculative Poets represented in this anthology:
JANUARY BAIN * STEWART C BAKER * ROBERT BEVERIDGE * CATHERINE BROGDON * FARUK BUZHALA * DALE CHAMPLIN * LINDA M. CRATE * BILLIE DEE * KENDALL EVANS * GARY EVERY * MARK A. FISHER * JEAN-PAUL L. GARNIER * LEE GARRATT * KEN GOUDSWARD * FIN HALL * MICHAEL HOFFMAN * DEBORAH L. KELLY * DEBORAH P. KOLODJI * DAVID C. KOPASKA-MERKEL * BLAISE LANGLOIS * GERRI LEEN * RICHARD MAGAHIZ * JACK MASSA * ALLENE NICHOLS * MICHELLE OUCHAREK-DEO * RK RUGG * RYFKAH * JUSTIN SLOANE * JOSHUA ST. CLAIRE * SEAN STUBBLEFIELD * REX SWEENY * LISA TIMPF * LAMONT TURNER * WENDY VAN CAMP * MIKE VAN HORN * RUTH E. WALKER * TD WALKER * LYNN WHITE * JEFF YOUNG
Let’s get to know more about Wendy!
Did you have a passion to write as a child? Do you remember the first thing you wrote?
Thank you for having me on your blog, Debbie. To answer your question, I suppose I was born a storyteller, although I come from a family of non-creatives. I was always telling stories verbally, even at a young age.
Some of my earliest memories are of writing “books” all in child’s scrawl on cheap loose-leaf paper. My first effort was about mermaids and was a comfortable 150 pages. I wrote it when I was four or five years old. My second “novel” was a Tolkien inspired fantasy that I wrote on a broken typewriter when I was sixteen or seventeen years old. The carriage return didn’t work, so I had to move it manually with one of my hands. I learned to type quickly with one hand due to this. My parents never thought to fix the typewriter since this might encourage me to write.
During my pre-teen years, I wrote poetry. I purchased a small deep green journal with my allowance, which I had fallen in love with from the stationery store. I handwrote short poems with no real knowledge of how to write poetry. I simply wrote what I felt. However, my younger brother discovered the poetry journal and ran through the house reading my poems out loud, laughing at my private musings. As a young pre-teen, it humiliated me. I gave up on poetry for a very long time due to this incident. Thankfully, I did not give up on writing.
D.G. – Wow Wendy, it sounds like we have a common thread between us with our young writing, and our ridiculing and unappreciated talents by our family members. I am sorry to hear, but applaud you on following your passion.
Do you find your writing is geared toward a specific audience or do you just write what inspires you to write?
I do think about my audience when I plan my projects. I am a science fiction author and a speculative poet. I also dabble in Austen Regency historicals because of my love for Jane Austen’s work, but honestly this is more of a one-shot effort and I have no plans on becoming a romance writer. I have been part of the speculative community for two decades. I write reviews of classic science fiction novels for journals, have read the genre extensively, and have met many of the A-list authors whose work I love. I am a regular panelist at science fiction literary conventions all over the United States and teach speculative poetry workshops. I suppose this is why I breathe science fiction concepts and most of my work, both prose and poetry, are speculative.
D.G. – That is commendable work Wendy. I should think it’s not only inspiring, but fun to be part of such a big community of this specific genre.
What’s your favorite mode of writing – computer, hand written, dictation, and why?
I use all three methods, but at different times in my writing process. I use dictation to get ideas from my thoughts onto the page for both novels and short stories, and for longer form poetry. None of this ever makes the final cut of my writing, but I find sometimes verbalizing a concept can bring out ideas you didn’t realize were in you.
I am a power-user of Scrivener for my novel organization and revising. I tend to not draft in Scrivener, for that I use an Alphasmart typewriter, google docs, or other word processing programs, but wherever the draft is done, I always put it in Scrivener in the end. Scrivener also can create an epub of my work which I find handy.
I write poetry in an unlined A5 journal with my fountain pen. I love the messy way the pages fill up with words and cross outs. I rewrite the lines, count my syllables, and then bracket my poems. When I feel the poem is done, I type it into digital storage. I used to keep my poetry on Evernote, but lately I’m trying a new filing system in Scrivener. It allows me to print up a poem if I have a reading. My specialty is scifaiku, which is science fiction themed haiku and haiku style astropoetry which you can read in my Elgin Nominated poetry book, “The Planets”.
D.G. – I love how you are so versatile with your writings and collections. I commend you with Scrivener. I purchased a lifetime license for Scrivener a few years back, and I still cannot grasp the hang of it.
Would you like to share with us what upcoming projects and/or ideas for books you’re working on?
I am working on a couple of projects this year. I am continuing the work on my Austen Regency Historical series. The final three books are close to completion. I fell behind schedule due to the pandemic, but lately I am gaining more speed and feeling more creative. It helps that I’m able to get outside the house to write again. Besides the Austen books, I’m writing poetry for several literary magazines that I support and for a new poetry collection that I am tentatively calling “Time, Space, & Technology”.
I am editing three poetry anthologies in rapid succession during 2022 and 2023. My next one is “Eye To The Telescope” which is published by the Science Fiction & Fantasy Poetry Association. I am to be their Fall guest editor. When that one is complete, I begin work on a literary poetry anthology for the City of Anaheim where I have recently been named the Anaheim Poet Laureate. I plan to make this an annual project and do two books during my two-year term. Finally, I will start next year with the fourth edition of “Eccentric Orbits”, an anthology of science fiction poetry, which is published by Dimensionfold Publishing. This will be my third year as its poetry editor.
D.G. – You are certainly busy with so many projects on the go. And interesting that you feel you get your best writing done outside of the home.
What hobbies do you enjoy when not writing?
Life is not all writing and poetry! Over the past few years, I have branched out from my black and white poetry illustrations to ink & wash urban sketching. The urban sketching is done when I am on the road. When I speak at conventions and conferences, I find I like to sketch the hotels and surroundings of where I am working. The vivid watercolors and the mathematics of getting perspective correct appeals to me. I wish I had more time for painting, but these days I fit it in when I can.
D.G. – You are a multi-talented creative Wendy, very commendable that you can also write, sketch and paint. I can’t even color in the lines, let alone draw.
Thank you so much for visiting with us today Wendy, and sharing your work with us. I do hope my sci-fi, fantasy and horror readers will check out your work. I wish you much success with all your projects.
Welcome to my May edition of Q & A. Today I’m happy to be featuring friend and fellow author, Jan Sikes. Jan is a multi-talented, multi-genre author and dabbles in tarot, runes and gemstones articles on her blog too, besides the blog tours she hosts and the books she reviews. So today we’re going to get to know a little bit more about Jan and her latest release – Jagged Feathers, Book 2 from her White Runes series.
Jan Sikes writes compelling and creative stories from the heart. She openly admits that she never set out in life to be an author. But she had a story to tell. Not just any story, but a true story that rivals any fiction creation. The entertaining true story comes to life through fictitious characters in an intricately woven tale that encompasses four books. And now, this author can’t find a way to put down the pen. She continues to write fiction and has published numerous award-winning short stories. She published her debut paranormal romance novel, Ghostly Interference, Book 1 in The White Rune Series, in 2020, which won a bronze medal award from Reader’s Favorite. Jagged Feathers released on January 31, 2022, as Book 2 of that series, and Saddled Hearts will release later in 2022. She is an active blogger, an avid fan of Texas music, and a grandmother of five. She resides in North Texas.
Vann Noble did his duty. He served his country and returned a shell of a man, wounded inside and out. With a missing limb and battling PTSD, he seeks healing in an isolated cabin outside a small Texas town with a stray dog that sees beyond his master’s scars. If only the white rune’s magic can bring a happily ever after to a man as broken as Vann. On the run from hired killers and struggling to make sense of her unexplained deadly mission, Nakina Bird seeks refuge in Vann’s cabin. She has secrets. Secrets that can get them all killed. A ticking clock and long odds of living or dying, create jarring risks. Will these two not only survive but find unexpected love along the way? Or, will evil forces win and destroy them both?
Jan shares some wonderful quotes from her book:
“Wow! One of the top books I’ve read in a while. I’d give it more sparklers if I could. The author had me from page one and didn’t let me go until the end. She starts off hard and fast, then things kind of work out and the book goes into a “safe” lull, which is where most romantic suspense stories would end. But no. She doesn’t let you rest as the danger ramps up again before our hero and heroine are really safe and have a satisfying ending that leaves you happy for them.” V. Burkholder
“What an amazing and phenomenal book. Jagged Feathers has become my favorite suspense book I’ve read in 2022. Jan Sikes has a talent that mirrors the authors, that’s on top of the Best Sellers List.” T. Lucas
“Wow! Few books grab and hold me as quickly as Jagged Feathers. I can’t say enough good things about this story that’s brimming with heart. It has everything- -an ex-soldier dealing with trying to heal from wounds and trauma left by the war, a woman confused and scared by her psychic gift and running for her life, and a dog that’s suffered horribly but hasn’t lost his ability to love.” L. Broday
“This is a high octane thriller and romance, with some intriguing paranormal elements which draws the reader in, and sweeps them along with the action and developing love affair. And then there is also an adorable dog who despite his own past mistreatment gives love in abundance.” S. Cronin
So, let’s get to know a little more about Jan!
Thank you, Debby, for inviting me to visit with you today. It is truly an honor!
D.G. – Thrilled to be featuring you here today Jan. Thanks for coming!
How has writing changed your life?
That is a great question. After my husband passed away, I was still working full-time. But honestly, I was lost. I didn’t want to stay in the home we’d built together. Too many memories and too much property to take care of. So, I transferred my job to another town where one of my daughters lived. I withdrew from the world and hid behind my children and grandchildren. That was my safe place. Then, when I realized I was the one that would have to write the story of our life together, it forced me to step out and reinvent myself. It took several years before I could comfortably call myself an author. It wasn’t until after my second book won an award that it felt right. Writing not only changed my life completely but gave me a therapeutic way to rejoin the land of the living. It has given me a whole new career and I have met some of the most wonderful people— authors and readers!
D.G. – Do I ever hear you Jan. I know well what you mean about ‘hiding away’ after such a great loss. And no doubts writing was your therapy. 🙂
Do some of your own character traits or personal experiences spill into your book’s characters?
Oh, for sure! Of course, the first four books I wrote were biographical so that was me all the way. But when I started writing fiction, I drew from a lot of my personal experiences, philosophies, and beliefs and instilled them in some of my characters. I think the biggest example was Jag Peters’ mother, Charlotte, in Ghostly Interference. There is a lot of me in Charlotte. She is a smart but gentle lady who is a vegetarian and teaches yoga. She also instills in her son a lot of the same beliefs I have about Karma and the afterlife. The love of Charlotte’s life is a musician. So, I put a lot of me into her. Someday I want to tell her backstory.
D.G. – Only makes sense that we as writers will instill some of ourselves or other people we know when it comes to creating characters. 🙂
If you weren’t a writer what else do you think you would do?
That is a question I ask myself often. I work really hard at not only continuing to learn and grow in the craft of writing but in marketing as well. There are times when I stop and ask myself if this is what I really want to be doing. All the hard work results in little to no monetary rewards. But, so far, the answer is the same every time. As long as story ideas and inspirations keep coming, I am duty-bound to keep writing them. And, if I wasn’t writing, I don’t know how I would be filling my time. For now, this is what I want to do. It’s a chapter in life I am enjoying letting unfold.
D.G. – Once again, I couldn’t agree more! 🙂
I know you have a very active blog. What can you tell us you’ve gained from blogging as an author?
Blogging has created a whole new online family for me. I am connected to people all around the world. That is how I met you, Debby. So, I’ve gained a network of supportive and uplifting people as well as made what I consider to be friends. Even though we may never meet in person, through reading others’ blogs, I feel as if I know them. Besides this incredible network, blogging gives me a great platform to talk about my stories, accomplishments, failures, and everything in between. But my greatest joy is featuring others on my blog. I do lots of book reviews and have guest posts often. Another way my blogging platform has enriched my life is through sharing metaphysical things such as Tarot cards and Rune readings, uplifting meditations, and my passion, Gemstones and their healing properties. It’s a way of sharing something that is a huge part of my daily life. It helps keep me grounded and focused while hopefully helping others at the same time. We are all on this journey together. So anything we can do to uplift each other is wonderful! While blogging takes time away from writing, it is worthwhile all the way around. I can’t imagine stepping away from blogging, although it’s healthy to take a short break now and then.
D.G. – We share the same philosophy on blogging, once again. And of course we share a mutual interesting in the spiritual and metaphysical. 🙂
Share with us a book that moved you so much it stays with you.
This is probably the hardest question of all to answer. I’ve been an avid reader since I could decipher words. As a child, I devoured fairy tales and believed life would have a fairy tale ending for me. As a young adult, I read books by Harold Robbins that taught me so much about relationships between men and women. “The Grapes of Wrath” is a book I have read multiple times. I think it has stayed with me because of stories my parents shared about the Great Depression. But a powerful book that changed the way I view worldwide governments is “The Captains and The Kings.” Taylor Caldwell depicted corruption among the leaders in such a way that I’ve never forgotten it. It’s a book I highly recommend to everyone. A book I’ve read within the past couple of years that has stayed with me is “Where The Crawdads Sing.” And now I see that it has been made into a movie and will be showing in July. You can bet I’ll be at the theater to see it. And I want to add one more to my list of lingering stories. “If The Darkness Takes Us,” is such a chilling and realistic tale of what happens when the grid collapses and people are left to figure out how to survive on their own without any resources. Unfortunately, I feel that it may be more realistic than imagined. But there are lots of good survival tips shared in the book. I’ll stop there with an apology. You only asked for one book. 🙂
D.G. – Had to laugh as the only books I could find around my house (in my mother’s room) were Harold Robbins’ books, lol. That was an education. And I loved Where the Crawdad’s Sing! I will now be checking out those other books you mentioned too. Thank you!
Welcome to my May Writer’s Tips. I have collected some fantastic helpful articles in this past month. So as not to overwhelm, I’m going to break up this post under two different umbrellas. In this edition I’ve tailored this month’s discoveries to tips that specifically pertain to book writing and potential legal snags – how to find your writing voice, what constitutes plagiarism, penalties for using song lyrics in our writing, what to put in front matter of our books, and the importance of designating a social media executor.
The BookDesigner takes us through the definition and meaning of Voice in writing:
Janice Wald of Mostlyblogging.com talks about the 4 types of Plagiarism and the consequences in 2022
Welcome to my first post of the year of my collaborated Writer’s Tips. I’ve collected and saved a few of these posts as I came across them while I was away, and I know many of you will find something helpful here for writing, publishing, and/or marketing. From advice on writing the blurb, through some wonderful Canva tutorials to publshing updates and more, there’s something helpful for all writers here.
D.L. Finn at the Story Empire on Writing the Blurb Source:
Welcome to my January Writer’s Tips. In this month’s edition of posts I hand picked from my reading trails, I’ve found some informative articles for writers from authors, Natalie Ducey – how to add weblinks on #Instagram, publishing predictions for 2022 by agent Laurie McLean at the blog of Anne R. Allen, ideas for promoting sequels on #Bookbub, book promotion blunders by Kathy Steinemann, and, how to use dashes in fiction by Louise Harnby.
Natalie Ducey has a helpful tutorial on how to add weblinks on #Instagram
Anne R. Allen, guest writer, agent Laurie McLean shares her predictions for the publishing world 2022
12 Clever ideas for promoting sequels on Bookbub
Fiction editor and proofreader, Louise Harnby shares, how to use dashes in fiction for both U.S. and U.K.
Welcome to my December edition of Writer’s Tips. In this last edition for 2021, I’m sharing some great information and tools to help with creating social media posts, QR codes for books, Twitter, and editing tips.
Hugh Roberts demonstrates why every blogger should be using the ‘pinned tweet’ option on Twitter, also, how to draft a blog post
Welcome to my last Q & A post for 2021. I know I have been sparse this year with Q & A features due to my world turning upside down, but I couldn’t end off the year without sharing the news here from one of my oldest blogging friends, Deborah Jay, who has just released Book 4 in her 5 Kingdoms series – The Prince’s Heir.
About Deborah Jay:
Deborah Jay writes epic fantasy and urban fantasy featuring complex, quirky characters and multi-layered plots – just what she likes to read.
Fortunate to live near Loch Ness in the majestic, mystery-filled Scottish Highlands with her partner and a pack of rescue dogs, she can often be found lurking in secluded glens and forests, researching locations for her books.
She has a dream day job riding, training, and judging, competition dressage horses and riders, and also writes books and magazine features on the subject under her professional name of Debby Lush.
A lifelong fan of science fiction and fantasy, she started writing her first novel aged eight, and has never stopped. Her first published novel is epic fantasy, THE PRINCE’S MAN, first in the Five Kingdoms series, and winner of a UK Arts Council award. #2, THE PRINCE’S SON and #3, THE
PRINCE’S PROTEGE are both available with the concluding book in the quartet, THE PRINCE’S HEIR, released December 14th 2021.
Read the gripping conclusion to The Five Kingdoms series…
King Marten’s reign balances on a blade’s edge. Chel’s Casket, symbol of his right to rule, is missing. Can master spies, Rustam and Risada, recover it before someone notices its absence and challenges Marten’s sovereignty? Or is there a more sinister motive behind the disappearance of the casket—a relic that could be used to raise the demon god, Charin.
As a series of natural disasters besets the kingdoms, evidence points towards interference by the meddlesome deity, and the terrifying prospect of war between its two opposing aspects.
When Marten’s beloved wife, Betha, and their infant daughter vanish, Marten faces a stark choice: save his family, or try to save his kingdom from a conflict that threatens all humanity.
Excerpt from Prince’s Heir
“Risada,” said Marten in a tone that sent ice crawling down her spine. “There’s something we didn’t tell you last year. We thought it would never be an issue once we’d destroyed Charin’s Cult.”
The king paused, pursing his lips. Blood pounded through Risada’s head, filling the silence. She felt nauseous. What had they kept from her, and why?
Marten drew a deep breath, then continued. “You know they wanted our child. What you don’t know is that things came to a head when you returned with Halson. Charin wanted a child of the royal bloodline, and it seems Hal’s would have satisfied Him as much as mine.”
Risada gripped the back of a nearby chair, clinging to that spot of reality in a world turned hazy.
Halson! Charin wanted her son!
A fierce rush of protectiveness blasted through her. She would die before she allowed that to happen. Staring into Marten’s eyes, she saw the same intent reflected there. Of course, he and Betha had been willing to sacrifice themselves before, and now he feared Betha might be forced to make that call again.
“We won’t let it come to that; I promise.” She took one of his hands and squeezed it, but he shrugged and disengaged his grip.
“Sadly, that’s not something you can promise. Not where Charin’s involved. I’ve faced Him, remember? I was lucky to survive, and I don’t give much for my chances if it comes to a rerun.”
“Marten.” Risada employed the same tone she used when Halson was being difficult. “You’re not alone in this. You will never be alone to deal with such an attack again; that I can promise.
Let’s get to know more about Deb’s writing and dressage life in our Q & A session:
How many books have you written? Do you have a favorite of your books and if so, why?
Nine so far, plus novellas and short stories. Two non-fiction books on horse training (my day job), one SF (not published), five epic fantasy (one not published) and one urban fantasy. The unpublished books were where I cut my writer’s teeth, learning about plot, pace, and technique. One day I’d love to revisit them, but with so many other projects on the go, who knows if I’ll find the time?
My favorite book will always be the last one I finished. If you are anything like me, as we write more books our style changes, develops and (hopefully) improves. I am still proud as punch of my first published novel – THE PRINCE’S MAN – which in the early days before self-publishing, netted me two agents and a slew of positive feedback from the Big Six (as they were in those days) publishers, although no contract. Now, I’m really happy it didn’t sell – I would never have been allowed to write the sequels the way they’ve turned out, and I wouldn’t have control of my own career.
D.G. – You’ve certainly come a long way my busy friend. And yes, you are spot on, the more books we write, of course, our styles change as we learn new things. How many of us would like to go back and rewrite all our published books? Lol 🙂
What’s your opinion on self-publishing?
As a hybrid author – both traditionally and indie published – I can definitely say the latter is far and away my preferred route. Not only do I get to write what I want, when I want, I also earn a markedly higher percentage of the income from my indie published books (70% from Amazon, 60% from some other platforms, paid each month) than I do from my trad published books (10% from my publisher, paid annually).
Sure, traditional publishers can get you into bricks-and-mortar stores, but that’s far less important since Covid struck, closing so many, or forcing them to sell online. Publishers also have extremely limited funds available for marketing, and contracted authors are expected to do most of the grunt work themselves – marketing, networking, selling in person, etc. – so I’d rather put my efforts into my indie books for a higher return.
D.G. – My sentiments exactly Deb. And I’ve heard same thoughts from a few different authors who left trad to take control of their own books. 🙂
Did you have a passion to write as a child? Do you remember the first thing you wrote?
I don’t know about a passion, I just always assumed I would write. It seemed the natural progression – read other people’s stuff, then write your own.
As a child, comics took my interest, and my earlier attempts at writing were accompanied by awful illustrations (I’m no artist). When my mother died a couple of years ago, in amongst her papers (she was also a writer) I found what must be my earliest attempt, aged about 6 – ‘The travels of Sammy Snail – Scotland here I come’. Weirdly prophetic, as at that time I had never been to Scotland, nor had any of my family, and yet that’s precisely where I now live.
After that, came ‘The Adventures of Galloper’, another illustrated comic book, and then ‘Samantha the Adventurous Poodle’, a novel which failed at chapter 3 because it had no plot!
D.G. – What a gorgeous find! I know you have tons on your plate and agenda, but wouldn’t it be fun if you revised and published her work in a children’s book someday, authored by both of you? Food for thought. 🙂
Would you like to share with us what upcoming projects and/or ideas for books you’re working on?
While this week’s release brings to a conclusion the main story of one set of characters, I still have plenty of other tales to tell about them. One of the best aspects of self-publishing is the option to publish books of any size. I already wrote one short story that fits in between books #1 & #2, with another underway. I plan to write a set of them, with the ultimate goal of gathering them into a book of their own.
I have also plotted out and started a novella, telling the back story of a minor character who grew to become a major force in books #3 & 4. In addition, years ago, I wrote the novel that takes place before this set, so I plan on going back and rewriting that to a publishable standard too.
Beyond that, I have a rough outline for the next sequence of books, featuring the next generation. I’ve set up a lot of worldbuilding ready for them to walk right into, so, although the over-arching plot appears to end in book #4, it has a lot further to go – I’m thinking maybe 10 books in all?
Next up is putting together a boxset of books #1 – #4, and start editing for audiobook production – something I still have to dip my toe in. I also have one novel and a short story published in an urban fantasy series, with 6 chapters of the next book already done and just waiting for me to pick it up again.
Finally (as if that lot wasn’t enough!), I am currently writing a commissioned non-fiction book on horse training to go with the two already published, and sketching out two new in-person presentations now we are allowed to do such things again.
I’m certainly never short of stuff to do!
D.G. – You’re a machine girl! I hate to add to your plate, but I was hoping you would come out with a sequel to Desprite Measures with your Cassie character. 🙂
Do you edit and proofread your own work solely or do you hire an editor?
I’m really fortunate to have worked with an awesome writer’s group for many years – thirty, to be precise! Members have come and gone, but the core has remained. New members have to put in an audition piece, so we can assess the standard of their writing. If we feel they aren’t ready to join us yet we point them towards where they can find more basic help to develop.
The group consists of (almost) exclusively published authors – some short fiction writers, some novelists. We do include a uni student, reading creative writing (what else?), but fundamentally we all write professional pieces that sell. We used to meet in person once a month, now we do it on Zoom, which means a couple of former members who moved away have rejoined.
One of the best aspects is that between us we cover a wide range of professions and interests, such as a medical doctor, a computer programmer, a travel writer, and a stand-up comic! Between the lot of us, we’re pretty darned good at the whole gamut of editing. And knowing we will all be on the receiving end at some point, we’ve become well practiced at constructive critiquing – the best sort of group.
D.G. – Sounds like a great plan and a wonderful and eclectic bunch of writers! 🙂
What was the inspiration behind the series you’ve just completed?
I was always frustrated that the super-spy, James Bond, was never allowed (until now!) to develop as a character. Enter my leading man, Rustam Chalice – a shallow, womanizing, spy. During THE PRINCE’S MAN, alongside the action and politics, everything he thought he knew is challenged and proven to be false, bringing about profound changes to his life, which continues to develop through the entire series.
I chose a fantasy setting partly because of my love for Lord of the Rings, but also because of the incredible scope available to my imagination. I can do whatever I want with the world (provided it’s consistent and makes sense), which allows me to put my characters through a crucible unlike anything they would experience in a real-world setting.
Out of these two things came tagline for the series: Think James Bond meets Lord of the Rings.
D.G. – Brilliant concept! 🙂
It was a pleasure having you over today Deb. I wish you much success with your new release, and no doubts the Prince’s Man fans for this series are anxiously awaiting this new release.