Q & A with D.G. Kaye – Featuring #Sci-Fi Writer – Wendy Van Camp

Welcome to my June Q & A. Today I’m happy to be featuring author Wendy Van Camp who writes Sci-Fi, speculative fiction, and offers up a weekly ‘Writers Links’ information post for writers with some great collaborated shares on her blog at Nowastedink. Wendy recently released her newest book where she is the editor and contributor to the anthology – Eccentric Orbits – Book 3 in the collection of anthologies of science fiction poetry – Scifaiku, and today we’re going to get to know a little about her.

About Wendy:

Wendy Van Camp is the Poet Laureate for the City of Anaheim, California. Her work is influenced by cutting edge technology, astronomy, and daydreams. A graduate of the Ad Astra Speculative Fiction Workshop, Wendy has won Honorable Mention at the Writers of the Future Contest, is a twice nominated finalist for the Elgin Award, and has been nominated for a Pushcart Prize and Dwarf Stars Award. Her poems have appeared in: “Starlight Scifaiku Review”, “Quantum Visions”, “The Junction”, and “Far Horizons”. She is the poet and illustrator of “The Planets: a scifaiku poetry collection” and editor of the annual “Eccentric Orbits: An Anthology of Science Fiction Poetry” by Dimensionfold Publishing.

Blurb:

The function of speculative poetry is to engage the mind to a new understanding, not rehearse the past or the ordinary. This anthology of science fiction, fantasy, and horror poetry explores new concepts, folklore, myth, and the fantastic, by some of the most exciting, speculative poets of our time. Discover the insights of these contemporary wordsmiths that are surging from the pages of science fiction into the reality of our world.

This speculative poetry anthology is perfect as a gift for poetry lovers, readers of science fiction, fantasy, or horror literature or to complete your own book collections.

Speculative Poets represented in this anthology:

JANUARY BAIN * STEWART C BAKER * ROBERT BEVERIDGE * CATHERINE BROGDON * FARUK BUZHALA * DALE CHAMPLIN * LINDA M. CRATE * BILLIE DEE * KENDALL EVANS * GARY EVERY * MARK A. FISHER * JEAN-PAUL L. GARNIER * LEE GARRATT * KEN GOUDSWARD * FIN HALL * MICHAEL HOFFMAN * DEBORAH L. KELLY * DEBORAH P. KOLODJI * DAVID C. KOPASKA-MERKEL * BLAISE LANGLOIS * GERRI LEEN * RICHARD MAGAHIZ * JACK MASSA * ALLENE NICHOLS * MICHELLE OUCHAREK-DEO * RK RUGG * RYFKAH * JUSTIN SLOANE * JOSHUA ST. CLAIRE * SEAN STUBBLEFIELD * REX SWEENY * LISA TIMPF * LAMONT TURNER * WENDY VAN CAMP * MIKE VAN HORN * RUTH E. WALKER * TD WALKER * LYNN WHITE * JEFF YOUNG

Welcome
Wendy

Let’s get to know more about Wendy!

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Did you have a passion to write as a child? Do you remember the first thing you wrote?


Thank you for having me on your blog, Debbie. To answer your question, I suppose I was born a storyteller, although I come from a family of non-creatives. I was always telling stories verbally, even at a young age.


Some of my earliest memories are of writing “books” all in child’s scrawl on cheap loose-leaf paper. My first effort was about mermaids and was a comfortable 150 pages. I wrote it when I was four or five years old. My second “novel” was a Tolkien inspired fantasy that I wrote on a broken typewriter when I was sixteen or seventeen years old. The carriage return didn’t work, so I had to move it manually with one of my hands. I learned to type quickly with one hand due to this. My parents never thought to fix the typewriter since this might encourage me to write.


During my pre-teen years, I wrote poetry. I purchased a small deep green journal with my allowance, which I had fallen in love with from the stationery store. I handwrote short poems with no real knowledge of how to write poetry. I simply wrote what I felt. However, my younger brother discovered the poetry journal and ran through the house reading my poems out loud, laughing at my private musings. As a young pre-teen, it humiliated me. I gave up on poetry for a very long time due to this incident. Thankfully, I did not give up on writing.

D.G. – Wow Wendy, it sounds like we have a common thread between us with our young writing, and our ridiculing and unappreciated talents by our family members. I am sorry to hear, but applaud you on following your passion.

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Do you find your writing is geared toward a specific audience or do you just write what inspires you to write?


I do think about my audience when I plan my projects. I am a science fiction author and a speculative poet. I also dabble in Austen Regency historicals because of my love for Jane Austen’s work, but honestly this is more of a one-shot effort and I have no plans on becoming a romance writer. I have been part of the speculative community for two decades. I write reviews of classic science fiction novels for journals, have read the genre extensively, and have met many of the A-list authors whose work I love. I am a regular panelist at science fiction literary conventions all over the United States and teach speculative poetry workshops. I suppose this is why I breathe science fiction concepts and most of my work, both prose and poetry, are speculative.

D.G. – That is commendable work Wendy. I should think it’s not only inspiring, but fun to be part of such a big community of this specific genre.

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What’s your favorite mode of writing – computer, hand written, dictation, and why?


I use all three methods, but at different times in my writing process. I use dictation to get ideas from my thoughts onto the page for both novels and short stories, and for longer form poetry. None of this ever makes the final cut of my writing, but I find sometimes verbalizing a concept can bring out ideas you didn’t realize were in you.

I am a power-user of Scrivener for my novel organization and revising. I tend to not draft in Scrivener, for that I use an Alphasmart typewriter, google docs, or other word processing programs, but wherever the draft is done, I always put it in Scrivener in the end. Scrivener also can create an epub of my work which I find handy.


I write poetry in an unlined A5 journal with my fountain pen. I love the messy way the pages fill up with words and cross outs. I rewrite the lines, count my syllables, and then bracket my poems. When I feel the poem is done, I type it into digital storage. I used to keep my poetry on Evernote, but lately I’m trying a new filing system in Scrivener. It allows me to print up a poem if I have a reading. My specialty is scifaiku, which is science fiction themed haiku and haiku style astropoetry which you can read in my Elgin Nominated poetry book, “The Planets”.

D.G. – I love how you are so versatile with your writings and collections. I commend you with Scrivener. I purchased a lifetime license for Scrivener a few years back, and I still cannot grasp the hang of it.

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Would you like to share with us what upcoming projects and/or ideas for books you’re working on?


I am working on a couple of projects this year. I am continuing the work on my Austen Regency Historical series. The final three books are close to completion. I fell behind schedule due to the pandemic, but lately I am gaining more speed and feeling more creative. It helps that I’m able to get outside the house to write again. Besides the Austen books, I’m writing poetry for several literary magazines that I support and for a new poetry collection that I am tentatively calling “Time, Space, & Technology”.


I am editing three poetry anthologies in rapid succession during 2022 and 2023. My next one is “Eye To The Telescope” which is published by the Science Fiction & Fantasy Poetry Association. I am to be their Fall guest editor. When that one is complete, I begin work on a literary poetry anthology for the City of Anaheim where I have recently been named the Anaheim Poet Laureate. I plan to make this an annual project and do two books during my two-year term. Finally, I will start next year with the fourth edition of “Eccentric Orbits”, an anthology of science fiction poetry, which is published by Dimensionfold Publishing. This will be my third year as its poetry editor.

D.G. – You are certainly busy with so many projects on the go. And interesting that you feel you get your best writing done outside of the home.

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What hobbies do you enjoy when not writing?


Life is not all writing and poetry! Over the past few years, I have branched out from my black and white poetry illustrations to ink & wash urban sketching. The urban sketching is done when I am on the road. When I speak at conventions and conferences, I find I like to sketch the hotels and surroundings of where I am working. The vivid watercolors and the mathematics of getting perspective correct appeals to me. I wish I had more time for painting, but these days I fit it in when I can.

D.G. – You are a multi-talented creative Wendy, very commendable that you can also write, sketch and paint. I can’t even color in the lines, let alone draw.

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Thank you so much for visiting with us today Wendy, and sharing your work with us. I do hope my sci-fi, fantasy and horror readers will check out your work. I wish you much success with all your projects.

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Follow Wendy on Social Links:

Website – https://wendyvancamp.com
Blog – https://nowastedink.com
Amazon – https://www.amazon.com/author/wendyvancamp
Medium – https://medium.com/@wvancamp
Twitter – https://twitter.com/wvancamp
Instagram – https://instagram.com/nowastedink

©DGKaye2022

Novel Writing: Organizing the Rough Draft | No Wasted Ink

Reblog and featuring

Wendy Van Camp is a writer who shares many of her discoveries about writing on her blog. Her blog is called No Wasted Ink. Besides some of the fascinating articles she writes on the art of writing, and some wonderful reviews and interviews, every Monday, Wendy posts her famous ‘Writers Links’. This is where she shares links of interesting articles she comes across with other writers.

 

This article I’m reblogging is Wendy’s share on how to organize your rough draft for the next stages. In the post she shares some books she’s read  which she found helpful in the different stages of book writing. Read Wendy’s article below, and make sure to jot down her book suggestions.

 

“When I write, the characters become friends to me, real people that I care about and want to spend time with. During the drafting process, this is a positive since it keeps your butt in the chair and working. However, after drafting, this love of story becomes a liability. Distance in the relationship is needed in order for you to take the next step in the process. Once that messy manuscript is completed, I stick it in a drawer or a computer file and take a long break from the work in order to allow my minds to reset on the story. . .”Continue Reading

 Source:

https://nowastedink.com/2016/04/22/novel-writing-organizing-the-rough-draft/

I’d also like to give a big shoutout to Shehanne Moore (the smexy historical fiction writer), for nominating me as one of her chosen for the Epically Awesome Award.

 

Please check out her entertaining post  HERE  about her award, which of course is narrated by her jealous Hamster Dudes.

 

epic-blog-ward